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Chapter contributions
Bodies of Sound: Becoming a Feminist Ear

Contributions from:
Sara Ahmed, Ximena Alarcón, Svetlana Alexievich, Ain Bailey & Frances Morgan, Anna Barham, Xenia Benivolski, Leanne Betasamosake Simpson & Kite, Elena Biserna, Karen Barad & Black Quantum Futurism, Anne Bourne, Daniela Cascella, Theresa Hak Kyung Cha, Maria Chávez, Don Mee Choi, Carson Cole Arthur, Petero Kalulé & AM Kanngieser, Lindsay Cooper, Julia Eckhardt, Lucia Farinati & Claudia Firth, Ella Finer, Annie Goh, Louise Gray, Christina Hazboun, Johanna Hedva, Sarah Hennies, Tomoko Hojo, IONE, Lee Ingleton, Hannah Catherine Jones, Christine Sun Kim, Nat Lall, Cathy Lane, Jeanne Lee & Lona Foote, Marysia Lewandowska, Annea Lockwood & Jennifer Lucy Allan, Cannach MacBride, Elaine Mitchener & Hannah Kendall, Alison O'Daniel, Naomi Okabe, Pauline Oliveros, Daphne Oram, Gascia Ouzounian, Holly Pester, Roy Claire Potter, Anna Raimondo, Tara Rodgers, Aura Satz & Barbara London, Shortwave Collective, Sisters of the Order of Celestial Nephology, Sop, Syma Tariq, Marie Thompson, Trinh T. Minh-ha & Stoffel Debuysere, Salomé Voegelin
Diffracting New Materialisms: Emerging Methods in Artistic Research and Higher Education
Edited and introduced by Irene Revell and Sarah Shin, Silver Press, London (UK), 2024

Edited by Annouchka Bayley and JJ Chan, Palgrave Macmillan, 2023

This edited book considers the vital position of artistic research in the landscapes and ecosystems of new materialism(s) and post-humanism(s), in and for higher education. The book aims to satisfy an urgent desire for change in the ways we link artistic and critical research practices, asking what new ways of thinking and creating for twenty-first century artistic and educational contexts we need in order to address the kinds of global complexities we face. Organised around five key themes including fictioning, reading, embodying, inhabiting and folding, the book acts as an entry point for academics, artists and scholar-practitioners to participate in the shaping of new forms of artistic research and practice that are relevant, participatory, and that urgently address the kinds of complex issues emergent in our twenty-first century context. In doing so, the book makes a key contribution to the development of emerging inter- and transdisciplinary artistic research practices across arange of fields, responding to the question - what kinds of research and practice worlds do we wish to create in times of urgency, crisis and complexity?
Chairs
Edited by Marie-Ève Blais and Olivia Tapiero, Éditions Triptyque, Encrages, 2019

Contributions from:
Mykalle Bielinski, Marie-Ève Blais, Laurence Bourdon, Philippe Dumaine, Erin Hill, Lorrie Jean-Louis, Catherine Mavrikakis, Nathanaël, Charlie Prince, Olivia Tapiero, Sarah Walou et Ouanessa Younsi.
Read my chapter 'Toucher de si près qu'aucune ombre ne se forme' (A touch so close no shadow is formed) in English here.

Moving Parts: Articulated Bodies and Objects in Performance
O
Deep Gazing
Book Nerds Press
River
an online ongoing writing project

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